Darkroom, a show for one person in complete darkness, will be performed for COP26.
DARKROOM will be performed in Glasgow for COP26. Daily between 1-8pm
Nov 8th-13th Listen Gallery. G4 0UP
” Like I’d been given a shot to wake up my senses” audience member Darkroom: Listen In
Darkroom is a live performance from critically acclaimed Neutrinos-KlangHaus Collective, who have performed multiple times at Edinburgh’s Summerhall and London’s Southbank Centre. A multi-artform performance, blending art, music and theatre.
‘One show that truly delivers the shock of the new, the most innovative presentation of live music I’ve ever seen – a total game-changer’. Alex Needham, The Guardian
Darkroom is a solo audience performance show that is presented in complete darkness with a duration of approximately 10 minutes.
It is a sound and senses installation that uses a range of speakers, sound sources and sensory equipment positioned around a room.
The soundtrack is curated from a wide range of musical genres, sound effects and natural sounds ranging from intense sea to contemporary choral music and from footsteps to rock guitar, spatialised live in real time.
” We go to the darkness to see” Robert Macfarlane
The impact of the show:
Visual sensory deprivation allows deeper connection to the sound, a fast track to the nervous system, allowing a personal, deeply felt interior journey.
Our current research:
The presentation of the show Darkroom within the COP26 context, using the soundtrack, the pitch dark and solitude, could facilitate deep personal and emotional reflection, potentially enabling attitudinal shifts in relation to the climate crisis.
Working with The Barn, Scotland, being part of their highly respected ‘Becoming Earthly’ Residency in 2020, we developed the questions stimulating our current research.
Darkroom was performed for climate scientists supported by Tyndall Centre for Climate Research September 6th-10th 2021 at UEA.
One by one we sat with the scientists post-show and they talked about how they felt and what, if any, impact there was .There was a resounding, ‘This must go to COP26’,
Comments from the scientists included….
‘I hoped I wouldn’t be led down a particular path and I wasn’t‘.
‘It’s not didactic. The sound induced a kind of ecstatic paroxysm. There may be eco-driven social collapse, but… we can live and love through it all, and create what we humans call ‘light’. See you at COP26’
If there is no glimmer of hope people won’t try. The debrief room is important, a collective way of learning’
‘Being alone in the dark invites you to imagine to be alone with a complete climate breakdown – brings home the power of the natural world – the powerlessness of a single human being in the absence of society. Humans need society’
The darkness helps you forget about yourself, takes you out of yourself.
Intense, profoundly emotional and affecting experience. It’s opening. It was refreshing, it wasn’t didactic. A context and opportunity to feel things.
Gallery, empty shop, living room, free standing box in a foyer or next to the buffet table at COP26, shipping container, shed, university basement.
An ideal room is minimum 5m x 10m, it could be carpeted, irregular wall shapes are good for sound reflection, but not entirely necessary. Two-door access is good for show flow an entrance and an exit. A one-way system is also a good Covid-safe back-up.
A meet and greet space minimum 2m x 4m next to the performance room. Also connected or adjacent, a sound source room/area minimum 2m x 3m.
Ability to black–out the room. We will bring black-out materials, but early discussions with your team re attaching black-out are helpful.
We will supply all equipment, but will need access to a good electricity supply, plenty of 13-amp sockets. The show has moments of very loud noise and silence. The room doesn’t have to be soundproof, noise leakage can be a teaser to the audience something to invite you in.
Mark Howe – Musician – onsite host, meet and greet. Live guitar in the dark.
Karen Reilly – Musician, onsite safety inside the room and vocal appearance.
Jonathan Baker – Musician/sound designer – onsite live mixing of the sound piece.
We can perform 3 shows an hour.
Darkroom Tyndall Centre UEA – September 2021 kindly supported by Tyndall Centre for Climate Research